John Bauer Exhibitions and Paintings Saatchi Gallery

John Bauer will tread a thin beauty and discord. Content of his repeated gestures combined as veneers referring to the description, as if condensing multiple film images into a single overall composition. Without reference to the external environment as much as internal psychological state, Bauer uses monochromatic palette associated with photography and the pixilated effect on the print media to heighten Sense of Virtuality and information overload. His images are full of frenetic, apocalyptic energy reflective urban experiences.
Despite the intense vivacity Bauer’s fabrics are piercingly harsh one. Was carried out only in a palette-gloss and matt black and metallic silver, Bauer’s paintings have introduced the elegance of the flat surfaces of the label is encoded within the glamor of the industrial design and holographic shine of futurism. Bauer through a densely stacked models, translucent layers, and an emotional journey, an impersonal characteristics of digitized imagery and his detached processes work to get the unique subjectivity of infusing a seamless and generics with the contemplative aura of personal consultations. Merging real meanings of abstraction, the reproducibility of pop, and graphicness design, John Bauer’s canvases set up airplanes using the visual language of folds, confusing and should be re-fragmented, contradictory compositions. Beginning each painting is a low-technology, computer drawing, Bauer develops his work through the complex process includes hands-off painting techniques such as stenciling, silk-screening and spraying digitized graphics that turn towards the sublime picturesque areas abstraction.
SOLO EXHIBITIONS
2003
• free-floating anxiety, Kellokas, Brooklyn
1998
• New Oil, Clementine Gallery, New York
GROUP EXHIBITIONS
2005
• New York’s Finest, Canada Gallery, New York
2004
• Grotto II, Jessica Murray Projects, Brooklyn
• Hey Chelsea, Kellokas, New York
2003
• Recession 2003, $ 99 show, curated by Tim Thyzel, Cynthia Broan Gallery, New York
• To start, Jeff Bailey Gallery, New York
2002
• Proper Villains, Cur. David Hunt, Untitled Space New Haven
• End of the Rainbow Kellokas, Brooklyn
• Grotto, Jessica Murray Projects, Brooklyn
• Accelerated grimace Cur. David Hunt, Daniel Silverstein Gallery, New York
• Building Anxiety, Ten One Gallery, New York
2001
• John Bauer and Diana Puntari, Kellokas, Brooklyn
2000
• Flat File, Kellokas, Brooklyn
1998
• Summer Bonanza, Clementine Gallery, New York
• Art Exchange Show De Chiara / Stewart Gallery, New York
• Winter Land Cur. Liz Christensen, Lobby Gallery, Deutsche Bank, New York
1996
• Filter, John Bauer, John Silvis, Lyle Staar, Project II, New York

Conclusions:
John Bauer will tread a thin beauty and discord. Content of his repeated gestures combined as veneers referring to the description, as if condensing multiple film images into a single comprehensive composition.

What to do next …
If you would like information on John Bauer or looking for his paintings of it, we’re http://www.saatchi-gallery.co.uk/artists/john_bauer.htm

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